<?xml version="1.0" encoding="utf-8" ?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
<channel>
<title>RCO News</title>
<link>https://www.rco.org.uk/news_recent.php</link>
<description>RCO News</description>
<language>en</language>

<item>
 <title><![CDATA[Royal College of Organists announces 2026 summer accreditation results ]]></title>
 <link>https://www.rco.org.uk/news_displaystory.php?newsid=420</link>
 <guid>https://www.rco.org.uk/news_displaystory.php?newsid=420</guid>
 <pubDate>Tue, 01 Sep 2026 00:00:00 +0100</pubDate>
 <description><![CDATA[The Royal College of Organists has announced the results of its Summer 2026 accreditation session. 

A total of 40 candidates were successful across the RCO’s organ qualifications and awards (CAM, CRCO, ARCO and FRCO), its new choral directing diplomas – with CChD(RCO) offered in this inaugural session – and the Scottish Churches Organist Training Scheme (SCOTS)...]]></description>
 <content:encoded><![CDATA[The Royal College of Organists has announced the results of its Summer 2026 accreditation session. 

A total of 40 candidates were successful across the RCO’s organ qualifications and awards (CAM, CRCO, ARCO and FRCO), its new choral directing diplomas – with CChD(RCO) offered in this inaugural session – and the Scottish Churches Organist Training Scheme (SCOTS). 

Certificates and diplomas will be presented at the College’s annual conferment at Southwark Cathedral on Saturday 13 March 2027. 

The successful choral directing candidate was: 

<strong>Colleague in Choral Directing of the Royal College of Organists (CChD(RCO)) </strong>

Elaine Stevenson (Dundee) 

The successful organ candidates were: 

<strong>Fellowship of the Royal College of Organists (FRCO) </strong>

Alfred Beston (Orpington) 
Jonathan Bolena (Staunton, VA, USA) 
Holly Broadbent (Perth, WA, Australia) 
Mitchell Farquharson (Ware) 
Callum Knox (Queenscliff, NSW, Australia) 
Jack McCabe (Bangor, Co. Down) 
Jack Wilson (Belfast) 

<em>Limpus Prize, Frederick Shinn Prize, and Durrant Prize </em>
Alfred Beston 

<em>Harding Prize and Durrant Prize </em>
Alfred Beston 

<em>Samuel Baker Prize </em>
Alfred Beston 

<strong>Associateship of the Royal College of Organists (ARCO) </strong>

Vladimir Antonov-Charsky (London) 
Sam Barber (Brentwood) 
Matthew Breen (Cork, Republic of Ireland) 
William Brooke (Ashburton) 
Michael Chamberlain (Portsmouth) 
Wing Chi Samantha Chan (Hong Kong, China) 
Louisa Denby (Cambridge) 
George Finney (Stratford-upon-Avon) 
Nicholas Friedersdorff (Leicester) 
Richard Gooding (Darlington) 
Nicky Grant (Stirling) 
Davon Halim (Oxford) 
Caius Lee (Bradford) 
John Newton (Southampton) 
Manav Paul (Potters Bar) 
Eleanor Rosser (Stockport) 
Timothy Selman (Lincoln) 
Jonathan Smith (Lanark) 
Yipeng Xu (London) 

<em>Limpus Prize, Frederick Shinn Prize, and Durrant Prize </em>
Eleanor Rosser 

<em>Sawyer Prize and Durrant Prize </em>
Davon Halim 

<em>Lord St Audries Prize </em>
Eleanor Rosser 

<em>Sowerbutts Prize and Durrant Prize </em>
Yipeng Xu 

<em>Doris Wookey Prize </em>
Davon Halim 

<em>Samuel Baker Prize </em>
Davon Halim 

<strong>Colleague of the Royal College of Organists (CRCO) </strong>

Nicholas Jenkins (London) 
Scarlett Martin (Haslemere) 
Andrew Pitman (Welwyn) 
Oliver Sexton (Bexhill) 
Themis Toumpoulidis (Stonehouse) 

<em>Sowerbutts Prize and Durrant Prize </em>
Nicholas Jenkins 

<em>Freemasons’ Prize (United Grand Lodge of England) </em>
Nicholas Jenkins 
Oliver Sexton 

<strong>Certificate of Accredited Membership (CAM) </strong>

Benedict Aderoh (Huntingdon), Stage 3 
Carmel Dominic (Isleworth), Stage 3 
Theodora Joseph (London), Stage 3  
Benjamin Lijesen (Peterborough), Stage 3 
Anya Stoyanov (London), Stage 2 
Yann Stoyanov (London), Stage 2  

<strong>Scottish Churches Organist Training Scheme (SCOTS) </strong>

Grant Forrest (Stirling), Stage 1 
Barbara Stevenson (Stromness), Stage 1]]></content:encoded>
</item>

<item>
 <title><![CDATA[Winner of IAO-RCO Organ Competition announced]]></title>
 <link>https://www.rco.org.uk/news_displaystory.php?newsid=419</link>
 <guid>https://www.rco.org.uk/news_displaystory.php?newsid=419</guid>
 <pubDate>Thu, 30 Jul 2026 00:00:00 +0100</pubDate>
 <description><![CDATA[Organist Tingshuo Yang has won the IAO-RCO Organ Competition 2026.

The final of the IAO-RCO Organ Competition, open to organists between the ages of 18 and 26 years, was held during the 2026 IAO Music Festival in Bristol (26-30 July) with the final held at Bristol Cathedral...]]></description>
 <content:encoded><![CDATA[Organist Tingshuo Yang has won the IAO-RCO Organ Competition 2026.

The final of the IAO-RCO Organ Competition, open to organists between the ages of 18 and 26 years, was held during the 2026 IAO Music Festival in Bristol (26-30 July) with the final held at Bristol Cathedral.

Tingshuo, a recent graduate of St John’s College Cambridge, played the <em>Fantaisie in A</em> by César Franck, <em>Naiades</em> by Louis Vierne and the <em>Toccata from the Suite</em> by Maurice Duruflé in his winning recital..

The other finalists were Marcus McDevitt, Senior Organ Scholar at New College, Oxford, and Conor McGlone, recently appointed Assistant Director of Music at Birmingham Cathedral.

As well as a first prize of £1,200, and prizes of £400 for the two other finalists, the competition offers prize winners recital opportunities including Birmingham Town Hall, Bristol Cathedral, Selwyn College, Cambridge and Great St Mary’s, the University Church, Cambridge.

Elizabeth Lesan was awarded the Susi Jeans Memorial Prize for her performance in the semi-final.

The competition judges were  Sarah MacDonald (RCO Immediate Past President, Director of Music at Selwyn College Cambridge, Director of the Girl Choristers at Ely Cathedral, Cambridge University Organist), Mark Lee (IAO President and Director of Music at Bristol Cathedral) and, for the final, Peter King, Past President of the IAO.

Sarah MacDonald said: “This year’s competitors brought imagination, insight and flair to their performances. The standard throughout was extremely exceptional, and every player demonstrated consummate musicianship and impressive discipline, which made our job as adjudicators quite difficult! We so enjoyed hearing them play, and we look forward to seeing what they achieve in the future.”

Mark Lee added: “The competition offers an important platform for talented young organists, and it was wonderful to hear them bring the instruments and repertoire so vividly to life. Congratulations to our winner and to every competitor who contributed to such a memorable event.”
]]></content:encoded>
</item>

<item>
 <title><![CDATA[Harrison Cole MA, FRCO (2000–2026)]]></title>
 <link>https://www.rco.org.uk/news_displaystory.php?newsid=416</link>
 <guid>https://www.rco.org.uk/news_displaystory.php?newsid=416</guid>
 <pubDate>Tue, 16 Jun 2026 00:00:00 +0100</pubDate>
 <description><![CDATA[The College is deeply saddened to learn of the death of Harrison Cole. 

Born and educated in Suffolk, Harrison was Assisting Organist for the Choir of King’s College, Cambridge, where he was responsible for accompanying the choir for the daily office, assisting with the training of the choristers, playing for recordings, tours and broadcasts, including the annual Nine Lessons and Carols on Christmas Eve, broadcast to millions across the world...]]></description>
 <content:encoded><![CDATA[The College is deeply saddened to learn of the death of Harrison Cole. 

Born and educated in Suffolk, Harrison was Assisting Organist for the Choir of King’s College, Cambridge, where he was responsible for accompanying the choir for the daily office, assisting with the training of the choristers, playing for recordings, tours and broadcasts, including the annual Nine Lessons and Carols on Christmas Eve, broadcast to millions across the world. He was previously Assistant Organist at Gonville & Caius College, Cambridge, and before that an organ scholar and student at Trinity College, Cambridge, where he was organist for several of the choir’s recent recordings. Harrison was also an active pianist, frequently accompanying instrumentalists and singers, a continuo player and conductor, and he was engaged in a number of projects in Cambridge and further afield. He was poised to take up important posts in London after the summer. 

Harrison joined the College in 2017 and was awarded Associateship in Winter 2024. He was awarded Fellowship in Summer 2025, receiving the Limpus Prize and other examination prizes, including the Coventry Cathedral Recital Award 2025–2026. Harrison was invited to give the vote of thanks at the conclusion of this year’s Conferment ceremony at Southwark Cathedral. In this he reflected on his journey:   
 
‘It is quite amusing for me to be up here because, just as C. S. Lewis considered himself to be “the most reluctant convert in England”, I myself had harboured similarly strong resolutions against doing these examinations – which, I think, makes it more convincing when I speak now, on the other side of things, of their extremely high value and utility. In an age of hyperspecilization, the broad, rigorous and detailed programme of study required here, represents a kind of education not often found elsewhere, and I believe it helps to produce what might be called “complete musicians” – those who have a strong command over several different musical skills. Therefore, I hope us conferees may be able to carry this spirit of musical excellence onwards in our professional lives, and I encourage everyone beginning or part-way through their study to keep discovering and learning, and enjoy the process, too!’

Harrison’s untimely death has shaken us all, and we send our sincere condolences to his family and friends. 
]]></content:encoded>
</item>

<item>
 <title><![CDATA[IAO and RCO announce organ competition semi-finalists]]></title>
 <link>https://www.rco.org.uk/news_displaystory.php?newsid=415</link>
 <guid>https://www.rco.org.uk/news_displaystory.php?newsid=415</guid>
 <pubDate>Tue, 05 May 2026 00:00:00 +0100</pubDate>
 <description><![CDATA[Six semi-finalists have been announced in the IAO-RCO Organ Competition 2026.

The selected semi-finalists are:
Oskar Kalnins (UK/Latvia)
Anna Kirillova (Switzerland)
Elizabeth Lesan (Slovakia)
Marcus McDevitt (UK)
Conor McGlone (UK)
Tingshuo Yang (UK)

Under the joint artistic direction of Sarah MacDonald and Mark Lee, RCO President and IAO President respectively, the IAO/RCO Organ Competition is open to organists aged from 18 to 26 years...]]></description>
 <content:encoded><![CDATA[Six semi-finalists have been announced in the IAO-RCO Organ Competition 2026.

The selected semi-finalists are:
Oskar Kalnins (UK/Latvia)
Anna Kirillova (Switzerland)
Elizabeth Lesan (Slovakia)
Marcus McDevitt (UK)
Conor McGlone (UK)
Tingshuo Yang (UK)

Under the joint artistic direction of Sarah MacDonald and Mark Lee, RCO President and IAO President respectively, the IAO/RCO Organ Competition is open to organists aged from 18 to 26 years.
The adjudicators for this year’s competition are Sarah MacDonald, Mark Lee. For the final, they will be joined by Peter King, Past President of the IAO.

The six semi-finalists have been chosen from submitted recordings, with the semi-finals and finals taking place during the IAO Festival 2026 in Bristol.

The semi-finals will be on Monday 27 July, with performances at Christ Church, Bristol and All Saints, Clifton.

The final will be at Bristol Cathedral on Wednesday 29 July.

IAO President Mark Lee said: “This competition continues to play a vital role in encouraging and showcasing the next generation of organists.

“We are delighted to welcome such a high calibre of young musicians to Bristol, and I look forward to hearing the energy, creativity and artistry they bring to their performances.”

Sarah MacDonald, RCO President, added: “The standard of entries this year has been exceptionally high, and it has been a pleasure to adjudicate the first round.

“These six shortlisted players performed exceptionally well in the first round, and I’m looking forward to hearing them live in the semi-finals and final.”

Tickets for the semi-finals and the final will be available during the festival. A full programme of festival events is available at <a href="https://iao.org.uk/festival26/" target="_blank">www.iao.org.uk/festival26</a>
]]></content:encoded>
</item>

<item>
 <title><![CDATA[Thousands discover the organ through Play the Organ Year 2025]]></title>
 <link>https://www.rco.org.uk/news_displaystory.php?newsid=414</link>
 <guid>https://www.rco.org.uk/news_displaystory.php?newsid=414</guid>
 <pubDate>Tue, 31 Mar 2026 00:00:00 +0100</pubDate>
 <description><![CDATA[A year-long campaign to open up the organ to new audiences reached more than 10,000 people through live events across the UK and beyond, with around 3,500 of those sitting at an organ console and playing the instrument themselves – often for the very first time...]]></description>
 <content:encoded><![CDATA[A year-long campaign to open up the organ to new audiences reached more than 10,000 people through live events across the UK and beyond, with around 3,500 of those sitting at an organ console and playing the instrument themselves – often for the very first time. 

Play the Organ Year 2025, organised by the Royal College of Organists (RCO) in partnership with leading organisations across the UK organ sector, saw 149 events delivered across every region and home nation, as well as a number of overseas events. 

From cathedrals and churches to schools, concert halls and community venues, the initiative invited people of all ages to get closer to one of the world’s most remarkable musical instruments.

Central to the campaign was a simple but powerful idea: not just hearing the organ, but playing it.

Sir Andrew Parmley, Chief Executive of the Royal College of Organists, said: “Play the Organ Year has shown just how powerful the simple invitation to ‘come and try’ can be. 

“With this simple idea we set out to create at least 2,000 playing opportunities during the year, so naturally we are delighted to have exceeded that by so much. We are enormously grateful to the many organists, venues, volunteers and organisations who made this possible and, of course, to the thousands who came to the events they organised.

“Across the UK and beyond, thousands of people discovered the organ not as something distant or mysterious, but as an instrument they could explore and enjoy for themselves.

“The enthusiasm we have seen – from children, families, music lovers and complete beginners – demonstrates that the organ continues to inspire curiosity and excitement when people are given the opportunity to encounter it up close."

As well as the RCO, the group of organisations behind Play the Organ Year 2025 included the Royal School of Church Music, Incorporated Association of Organists, Society of Women Organists, British Institute of Organ Studies, Institute of British Organ Building, The Organ Club, the Cathedral Organists’ Association and the Assistant Cathedral Organists’ Association. Regional ambassadors and partners also played an important role in encouraging activity and supporting local organisers.

Play the Organ sessions formed the heart of the programme, offering visitors the chance to sit at the console, explore the instrument and make their own music under the guidance of experienced organists and volunteers. Events frequently attracted families, community groups, singers, pianists and complete beginners, creating lively and intergenerational experiences.

Schools and youth-focused events proved particularly successful, with young participants showing great curiosity and enthusiasm when given the opportunity to explore the instrument up close.

The campaign reinforced the value of hands-on musical experiences in encouraging curiosity and confidence, particularly among those encountering the instrument for the first time.

Organisers themselves also reported an overwhelmingly positive experience. Many said they planned to repeat or expand similar events in future, highlighting the enthusiasm generated both among organisers and participants.

By combining a strong national framework with locally organised activity, Play the Organ Year demonstrated how grassroots enthusiasm across the organ community can open the instrument to new audiences.

With thousands of people now having experienced the thrill of playing the organ for the first time, the organisers hope the momentum created by Play the Organ Year will continue to inspire further events, learning opportunities and musical exploration in the years ahead.

Building on the success of the campaign, the RCO has already launched First Stop!, a new online gateway designed to help beginners and curious newcomers explore the organ and take their first steps in learning. 

Alongside this, the new beginner tutor <em>Fingers and Feet: A Journey to the Organ Bench</em>, developed with the Diocese of Leeds Keyboard Studies Programme and published by the Royal School of Church Music, provides an accessible starting point for those inspired to begin playing following their first encounter with the instrument. 

Visit <a href="https://www.firststoporgan.com" target="_blank">www.firststoporgan.com</a> for more information, and to begin your journey with ‘The King of Instruments’!

]]></content:encoded>
</item>

</channel>
</rss>
